Thursday, December 11, 2008
Poetry readings in the White House?
A new Federal Writers’ Project?
Top 10 “to dos” for Obama on culture
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But the best responses seem to be on
Lime Tree
Thomas Basbøll’s treatise on how to write flarf
Part 6
Jordan Davis reads Drew Gardner
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“The most dangerous man in publishing”
(It was true 50 years ago)
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Le Clézio:
The book is the best tool
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John Ashbery on Thomas Lovell Beddoes
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The Best Canadian Poetry in English
is launched
One place where reading is rising
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December 13 at
a celebration of the life of
Bill Griffith
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Notes on Mandelstam
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Woeser’s selected poems
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David Foster Wallace’s last book
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Nathaniel Tarn’s Ins and Outs of the Forest Rivers
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The Letters of Allen Ginsberg
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Milton’s shadow
We need another Milton
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Remembering Thomas Merton
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Brandi Homan’s Hard Reds
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Roberta Beary’s one-minute reading
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Top 10 reasons to go to poetry readings
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Reviewing The Capilano Review
(Are literary mags obsolete?)
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Lucille Clifton’s Voices
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Walt the plumber?
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Talking with “failed poet” Charlie Plymell
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William Logan
gives whining a bad name
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Lisa Jarnot’s Black Dog Songs
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Information architecture for digital libraries
Case study:
the State Library of Victoria, Australia
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Talking with Arielle Greenberg
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Shurin & O’Hara
on one of the better short lists
of the “year’s best”
Reading Meditations in an Emergency
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“Best poetry books of 2008” –
The
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Mark Scroggins reads The Age of Huts (compleat)
And The Grand Piano, part 4
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Dear Regime: Letters to the Islamic Republic
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Who’s ever heard Virginia Woolf?
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Neoliberal poetry rant (PDF)
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Larry Eigner
in the American cleave
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A bookstore closes in Maine
As do 3 in the South
§
Reviewing a bookstore
by the quality of
its food
about its bookstore’s cafés
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Abraham Smith’s Whim Man Mammon
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Remembering Kersey Katrak
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New Poems Chiefly in the Scottish Dialect
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How to edit a children’s dictionary
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Audio interview with Jaap Blonk
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The problem with book clubs
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John Kinsella’s Divine Comedy
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Prepping for the MLA meat market
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Harvard stops hiring
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Fishing is not dying in Gloucester
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Heather Banks’ Still Life Without Pomegranate
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Talking with
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Celebrating Donald Finkel & Constance Urdang
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Sylvia & Ted – the reality TV show
(keep scrolling!)
Saving Sylvia
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Rochelle Ratner’s Ben Casey Days
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A.D. Winans remembers Jack Micheline
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Talking with Hugh Fox
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The “writing crisis”
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H.L. Hix asks 20 questions
Answers from
Jill Alexander Essbaum
Alex Stein
Christopher Davis
Charlotte Innis
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Larissa Szporluk’s Embryos & Idiots
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40 years ago this week
Doug Engelbart & friends
changed the world
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A memorial service for Studs Terkel
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Todd Gitlin on Bernard Henri-Lévy
(free registration required)
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News of the newspaper business
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“What’s black & white & completely over?”
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Farewell to the contemporary art bubble
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Merce Cunningham at Dia Beacon
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When the choreography includes Anne Carson
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Carter’s sixties
& his seventies
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Robert Ashley:
Three Operas
coming to La Mama
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Baltimore Opera cancels season,
files for bankruptcy
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The museum behind an “invisibility cloak”
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Life after Galactica
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10 stories you missed this year
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LOTS to read in the new
Reconfigurations 2
Labels: links
I'd like someone to clarify "whining" in this case.
Your link to Kenny Goldsmith's Harriet post on "Flarf vs. Conceptual writing" (whose comment stream you state is not as interesting as the comment stream at Kasey Mohammad's blog on same topic) actually cuts-off most of the discussion there, which includes a link sent in by one Noah Freed to Don Share's blog, where the comments under *Share's* post on the matter [this is getting complicated] are, I dare say, much more interesting than the members-only cocktail banter at Lime Tree!
Here's that link again:
http://donshare.blogspot.com/2008/12/flarf-gives-you-more-bang-for-your-buck.html -
Kent
http://www.oberlin.edu/student/jrowell/
was that intentional?
Whatever Ron may say about Logan--I echo--he (Logan) is right about these poets.
He's snide, and crass, and cutely rude, but right on.
We need angry, grouchy critics. They put us back in touch with ourselves.
Here's my most recent review of a Swensen volume, which will give you a better idea of what I think of her work, which I've been reading carefully for 25 years.
And we don't need angry, grouchy critics. We need insightful ones. The problem is confusing one for the other.
We need both.
Your most serious reviews seem to me to be either extended paeans, with little discrimination, or sardonic tirades against poets you despise (mostly).
But I do believe that culture is well served by a skeptical, suspicious, resistant, somewhat mannered curmudgeon who feels personally responsible for the state of the language. Not "best"-served, but well-served.
We need different kinds, but without the skeptics, we're at sea.
Because there's so much meretricious trash--Jorie Graham, Anne Carson, Mary Oliver, Sharon Olds (just to mention a few of the ladies)--out there that you need a reliable shit-detector (not sure who coined that, but whatever).
The Logan review actually made me want to read the Swenson book. I hardly ever feel the same about new books you praise highly--I have the feeling I'm going to be appalled by them. Anything that made it past Logan's shit detector probably is worth at least a look. I can usually tell which ones are just Quietist (I wonder who made that one up?) twaddle.
Bill Buckley and Gore Vidal were two parts of a whole reality--not the only parts, but useful parts. Logan isn't Hugh Kenner, and you aren't Kenneth Rexroth.
These comparisons are invidious, but you get my drift.
The books you like that your enemy also likes, are probably worth reading. It's a kind of triangulation.
Yes?
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