Monday, June 23, 2008

A tribute to Keith Wilson
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Flood pictures
of the University of Iowa
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Context, misreading & aggression
at the Aggression Conference
Juliana Spahr on the distinction
between a poetics of difference
& one of indeterminacy
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A response to The Grand Piano
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Kristin Prevallet on The Age of Huts (compleat) (PDF)
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Joel Brouwer
on C.D. Wright
Angela Garbes on Rising, Falling, Hovering
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Talking with Mark Wallace
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Tracie Morris on PENNsound
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John Ashbery live
at the Griffin Prize
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A field guide to poetry in Cleveland
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Alan Gilbert on the Beats in
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Philip Metres on Bruce Andrews
(with the Bill O’Reilly video)
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Jasper Bernes on the 1970s conference
Peter O’Leary on same (& day 2)
Rodney Koeneke’s An Alphabet for Orono (& part 2)
Thinking about (the Experimental Poetry) Community
Ben Friedlander’s photos now number 187
including this group shot
(click on the big version)
Patrick Pritchett’s photos
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For an Unoriginal Literature
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Reading Mac Low,
reading me reading Mac Low
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A planh one could have made
about the troubadours
Flarf is people…
Animal, human, flarf, conceptual
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Long live the Prince of Poets
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Eshleman reads
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Talking with Honor Moore
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The blood of Sarah Manguso
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Leila Wilson on Eileen Myles (PDF)
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Howl & the paperback revolution
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Four Jack Spicer poems in Portuguese
(plus “Thing Language” read by Jack)
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“a Human Rights Watch
labor report
refashioned in free verse”
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Susan Howe reading “The Nonconformist’s Memorial”
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Didi Menendez on the Joe Milford Poetry Show
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Mark Nowack on Fordism & poetics
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In which Scribbleskiff
discovers Jonathan Williams
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Jena Osman reading “Mercury: A Visualization”
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2 versions of a poem by Phil Whalen
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Fond of fonts
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Rise of the mini-lecture
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Jackson Mac Low reads “Stein 100: A Feather Likeness
of the Justice Chair”
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Who killed the semi-colon?
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A profile of “Crazzy” Dave Dessler,
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A profile of Kanwal Bharti
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A.S. Byatt: from text to textile
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Travis Nichols: anthologies offer poetic diplomacy
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Travis Nichols on the problems of laureates
“we don’t need a poet laureate”
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John Ronan succeeds Ferrini
as
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A profile of
Gregory Gibson
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In
Olsson’s is closing
one of its DC stores
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In
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Indies fight to stay afloat
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Blackwell’s to launch
print-on-demand
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In Portsmouth, NH, a move
to hold readings year round
The Portsmouth Laureate home page
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Anne Waldman reads “Stereo”
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Lutheran Surrealism: summing up
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J.G. Ballard’s surrealism of the suburbs
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Patti Smith’s Auguries of Innocence,
expanded & reissued
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Wanda Coleman reads “American Sonnet (35)”
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A correspondence with Guy Davenport
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B.S. Johnson’s novel in a box
(some assembly required)
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Poetry & society
in
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Linh Dinh on sports nationalism in poetry
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How Louis Jenkins’ “Back Country”
got recited at the Tony Awards
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“a poet trying to have an experience”
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D.A. Powell on New
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21st century medievalists
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Blackburn-born poet returns to roots
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Jay Parini on the punishing poetry
of Robert Frost
“Out, Out”
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“Are you a member of the School of Quietude?”
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Naguib Mahfouz’
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52 countries will be represented
at this Macedonian poetry conference
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“an exaggerated sense of importance”
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Ladi Soyode, lawyer, poet & politician
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A transcript of Mary Karr
doing Q&A online
Karr on Keats
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Mark Doty bemoans
”conservativism that holds on in the literary world”
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New book from “old, dead, dull poet”
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Adam Kirsch, rereading Robert Lowell
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What about Charles Williams,
asks the Archbishop of Canterbury
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A novelist’s take on
the Iowa Writers Workshop
of the 1980s
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More people who lost “their voice ”
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Richard Shelton
& poetry in prison
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The question of politics
in Anglophone Cameroon poetry
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Carlin Romano on Salman Rushdie
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Talking with Pamuk & Oe
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The novelist and the murderers
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Dylan Thomas: propagandist
“The Art of Conversation” (PDF)
“A poet for people who really don’t like poetry”
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Getting paid for writing well
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Covering the poems of James Joyce
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An “antidote to the image
of poet as princess”
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Edwin Morgan: modest magus
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Alex Lemon, a poet of white space
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Poughkeepsie teen
wins a top award
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Rereading Lolita
from the girl’s point of view
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Imagining Sylvia Plath
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Think of it as a sales opportunity
Or a good career move
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There’s more to research than Google
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AUTO / PALSY / PLAZA
& other “rubber haiku”
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Reading Peter Bürger
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Barry Schwabsky on Peter Schjeldahl
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Monday at MoMA:
Writing Dalí
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Luc Sante on graffiti vs. advertising
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Would
Censorship isn’t the answer
§
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When art & sports critics
trade jobs
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A Jeff Koons retrospective
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Frank Stella, campaigning
against the “orphan ©” law
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The joy of dumbed-down trophy art
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Hirst bypassing galleries altogether
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The ultimate elitist object
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Philip Guston & the poets
Brother from another planet
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Talking with Robert Irwin
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Suing the Basquiat authentication committee
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Twombly at the Tate
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The most expensive painting
ever sold in Australia
is still a Picasso
§
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Big Bird turns 74
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A profile of Jean Eustache
A retrospective of his films
next month in
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Godard:
Everything is Cinema
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Transgender Turkish pop star
faces jail for anti-war message
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Deconstructing “Luka”
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Ho, ho, hey, hey
the old New Left is in the way
§
Lakoff’s Obama
Lakoff’s brain
§
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Bye-bye George Carlin
Where can one get a hold of your essay, "Poetry and the Politics of the Subject" that Spahr cites in her blog?
In terms of your School of Quietude vs. Post-Avant, and now -- The Third Way (??), why don't you draw up a questionnaire of some sort -- a kind of personality typology for poets so that we can see where we fall into on your scale of things.
It could have a hundred questions, and you could get scored if you take the test.
Sort of like that American accent questionnaire you re-posted here a few summers back.
IT would be fun and there'd be tons of smoke and lightning, and possibly even a little illumination from same.
Just an idea.
Here's the kind of questions I think could be asked:
1. Your wildest dream is to have a poem accepted at Massachusetts Review.
2. You don't want anybody to accept your poems. You don't even want to be read. You just like writing, and you like to write in such a way that no one else can figure out what you're doing because you're SOOOO abnormal, you crazy thing, you.
3. You have a huge trust fund, but you are still a communist on principle.
4. You think that states and counties should be dismantled and redesigned according to "poetic" territories. One major territory for you is that of Camden, NJ which you want to rename Whitmania and of which you want to be mayor.
I'm not very good at this, but I wanted to offer a sample of what I'm thinking. Then you'd have to figure out a scoring rubric, and then you'd need a bit of description to match. I think you'll need at least ten possible categories for the poet to fall into, and then perhaps some suggestions for each category, and you'd have yourself an absolute squall of distaste on your hands, and a lot of fun for those of us who enjoy this kind of conceptual frenzy of denial among the poets, each of whom is of course a type, and yet, each of whom believes they are completely individual.
You could even have a Lutheran Surrealist camp, and maybe we'd get one or two converts in this fashion!
Here's the two questions for Lutheran Surrealists:
1. You attend a Lutheran church on at least a monthly basis, and you consider yourself a Lutheran.
2. You admire the surrealist movement, but would like to retrofit it with Lutheran principles and mores.
Thank you for the link.
in this 3 a.m. reading
about another "drive"
Carl Rakosi writes of George Oppen (The Last Days):
"The morning his wife Mary and I drove him to Oakland to enter him into the Home for Jewish Parents, he was very {...}."
this from/out of "Carl Rakosi: Man and Poet"
Slain Mi Lorn
What Rial or Ritual
Limns No?
Marlin Loins
Mansion the Rill
Amnion Lanolin
Rims the Marlin Lions
and Ails Nil Morns
Liar Limns No
Nail Slim Snail Mil
No Morals Molars' Nil
In Nil In
Oral Limns
Slam Roil Inn
Salon Nil Rim
Romans Ill In
Mason Rill In
Moans Rill In
Mans Ill Iron
Mans Rill Ion
Mans Nil Roil
Roam Ill Inns
Roam Ills Inn
La Rim Inn Sol
The Rhyme in Soul
Ron Silliman tis..
[thanks ron]
your link here to
john burger
is meant to be peter burger
john berger
is great however
"hold all thngs dear"
you're a gas
Bobby
We survived and I managed to check out some poetry books before getting out of the Library/Work on Friday 13th.
Keith Wilson's 1969
Homestead
which was published by Kayak
and contains prints
by Robert McChesney.
I know I wrote a brief review
of one of his books.
I believe it was through my
connection with
Doug Flaherty and his
Road Apple Review
when I was teaching at UW-Oshkosh
that I was introduced to him.
I hope that you are well. Thanks for mentioning my discussion of Peter Burger over at the Poetry Foundation's Harriet blog. For those who are interested, I'd like to mention that the piece to which you linked was the third of a four-part series. The first part, in paricular, contains an even more detailed discussion of Burger. It can be found at http://poetryfoundation.org/harriet/2008/06/avantgarde_and_modern_part_one.html.
Thanks a lot and take good care.
peace and poetry,
Reginald
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